EUCLID...
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EU News
The next deadline for the Culture programme is 1 April 2008 for literary
translation projects. The next deadline for other projects is likely to be 31
October 2008 - visit www.culturefund.eu
for the latest updates.
EUCLID is also the Contact Point for the European Year of Intercultural Dialogue 2008, see http://inter.culture.info/ for more information.
NEW Publication JUST IN - Mobility of Imagination A Companion Guide to International Cultural Co-operation.
A vast resource of international information for the arts & cultural sectors. Latest additions...
FULLY REVISED & UPDATED EU FUNDING WEBPAGES - there are now new pages for EU
funds in general, for the trans-national funds , for the structural funds , for
the Interreg IV programme , for third county programmes and for UK offices in
Brussels. Check them out! In addition a new page has been added for the EU
generally, which includes links to recent reports and publications
Why not also have a look at showcase.culture.info - view and add arts and cultural clips for free!
Plus Jobs / Conferences / Training - free to view and add listings to
November Activity
In November, Geoffrey Brown, Euclid’s Director, will attend the 2007 National Arts Marketing Project Conference in Miami, the EFAH (European Foundation for Arts & Heritage) conference in Warsaw, Creative Clusters conference in London and Opera Europa’s autumn conference in Prague. In addition to this he will also be running Cultureuro Seminars in Belfast, Manchester and Brighton, and a one day Interpreting Interreg IV event in Eastleigh (Southampton).
Tim Birch, Information Manager, will be giving presentations at the European Mela Network annual meeting in Manchester and at VITAL (Live Arts Festival) in Liverpool. Tim will also be attending the 3rd LabforCulture Assembly to represent EUCLID and a special meeting hosted by the Portuguese Presidency for the European Year of Intercultural Dialogue.
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International
cultural cooperation has been traditionally conceived of as a matter for
national governments and of national cultural and foreign policy, and not
from either a broad European perspective or from the point of view of
cultural operators themselves. This book offers them the basic instruments
with which to pursue their border crossing interests, a systematic approach
to international projects as a developmental strategy and a perspective
that surpasses the restraints of the national cultural systems while
recognizing their specifics and divergence. This book is aimed at both
beginning and experienced cultural operators and private and public decision
makers.
